Ephemeral Expanded

READINGS / LEITURAS

LIVE AUDIOVISUAL PRACTICES / PRÁTICAS AUDIOVISUAIS AO VIVO

- NAUMAN, Sandra e Daniels, Dieter (ed.) See This Sound: Audiovisuology Compendium. Viena: Luwig Boltzmann Institute. ISBN 9783865606860
- AMERIKA, M. (2007) – META/DATA: A Digital Poetics. Cambridge, Massachusetts: MIT. ISBN 9780262012331
- BAKER, Frederick (2008) – The Art of Projectionism. Viena: Czenin Verlag. ISBN 9783707602357
- LUND, Cornelia and Holger (ed.) (2009) – Audio.Visual – On Visual Music and Related Media. Stuttgart: Arnoldshe Art Publishers. ISBN 9783897902930
- DEKKER, Annet (2003) – Synaesthetic Performance in the Club Scene. In Cosign 2003:
Computational In COSIGN 2003 Proceedings: 3rd Conference on Computational Semiotics
Computational Semiotics for Games and New Media
- HOUSTON, Lara (2008) – VJing, Technology and Intelligibility: Exploring the Emergent Practices of VJing Through the Work of Gilbert Simondon. In Gates, Carrie (ed.) Vague
Terrain, The Rise of the VJ, Vol. 9. < http://vagueterrain.net/journal09/larahouston/01 >
- MAKELA, M. (2006) – The Practice of Live Cinema. Tese Mestrado: Helsinki University of Art and Design.<http://www.miamakela.net/TEXT/text_PracticeOfLiveCinema.pdf >
- VJ THEORY (ed.) (2008) – VJam Theory: Collective Writings on Realtime Visual Performance. Falmouth: realtime books. ISBN 9780955898204

HISTORY OF THE AUDIOVISUAL / HISTÓRIA DO AUDIOVISUAL

- GEIGER, John (2003) – Chapel of Extreme Experience – A Short History of Stroboscopic Light and the Dream Machine. Brooklyn: Soft Skull Press. ISBN 18007883123
- LEIGHTON, Tanya (ed.) (2008) – Art and The Moving Image: A Critical Reader. Londres: Tate Publishing. ISBN 9781854376251
- WHITE, Duncan (2011) – Expanded Cinema: The Live Record. In Expanded Cinema: Art, Performance, Film. Londres: Tate Publishing. ISBN 9781854379740

Mary HallockGreenewalt
- BETANCOURT, Michael (ed.) (2005) – Mary HallockGreenewalt: The Complete Patents. Wildside Press. ISBN 0809511916
- Mary Elizabeth Hallock Greenewalt papers, collection 867, The Historical Society of Pennsylvania.
<http://www.hsp.org/sites/www.hsp.org/files/migrated/findingaid0867greenewalt.pd>

DOCUMENTATION STUDIES / ESTUDOS DA DOCUMENTAÇÃO

- AUSLANDER, Philip (2006) – The Performativity of Performance Art Documentation. In Performing Arts Journal, N.º 84, P. 110
- BÉNICHOU, Anne (Ed.) (2010) – Ouvrir le Document : Enjeux et pratiques de la documentation dans les arts visuels contemporains. Dijon: Les Presses du Réel. ISBN 9782840663508
- BORGES, Maria Manuel (2002) – De Alexandria a Xanadu. Coimbra: Quarteto Editora. ISBN 9728535805
- PHELAN, Peggy (1996) – Unmarked: The Politics of Performance. London and New York: Routledge. ISBN 0415068223
- PINTO, Maria M. G. (2005) Do «efémero» ao «sistema de informação» a preservação na era digital.Páginas a&b: arquivos e bibliotecas, 15, P. 63178. <http://repositorioaberto.up.pt/handle/10216/13432 >

HISTORICAL AVANT-GARDES / VANGUARDAS HISTÓRICAS

FLUXUS
- SMITH, Owen F. (1993) – Fluxus: A Brief History. In Armstrong, Elizabeth; Rothfuss, Joan (org.) In the Spirit of Fluxus. Minneapolis, Minnesota: Walker Art Center. ISBN 093564041X

 

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Readings / Leituras
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Live audiovisual practices
History of the audiovisual
Artistic practices between ephemeral and objectual
Documentation studies
Artists books
Historical avant-gardes
Intermedia

 

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